История изменений

    At the start of this piece the mood is melancholic. Don't be too strident. 
    If you're playing the piano, press that "quiet pedal" a lot.
    If you're the tympanist, use your left hand to dampen the ketties for the first few bars.
    Violins, blur the transitions between strings and 'bend' from note to note.
    ===== ...
    ==*== ...
    ----*-...
    In these few bars, we start to get the sense of something awaking.
    Piano, use the "soft pedal" less and less from beginning to the end of the passage, 
    Toward the end, add the "loud pedal" on occasional sharps and flats.
    The kettles should be allowed to ring a little; and little more as the passage progresses.
    Violins: Slowly clean up you transitions and blur them less and less.
    =
    =
    -
    Bassists: This is your regular rhythm to be maintained throughout the piece:
    =
    =
    -
    But there are two variations on this which you alternate between for the first two bars at the start of every other stanza --after the first four -- and for the last two bars of the alternate stanzas.
    = ...                                  = ...
    = ...                                  = ...
    - ...                                  - ...

[br]    At the start of this piece the mood is melancholic. Don't be too strident. [br]    If you're playing the piano, press that "quiet pedal" a lot.[br]    If you're the tympanist, use your left hand to dampen the ketties for the first few bars.[br]    Violins, blur the transitions between strings and 'bend' from note to note.[br]    ===== ...[br]    ==*== ...[br]    ----*-...[br]    In these few bars, we start to get the sense of something awaking.[br][br]    Piano, use the "soft pedal" less and less from beginning to the end of the passage, [br]    Toward the end, add the "loud pedal" on occasional sharps and flats.[br]    The kettles should be allowed to ring a little; and little more as the passage progresses.[br]    Violins: Slowly clean up you transitions and blur them less and less.[br]    =[br]    =[br]    -[br]    Bassists: This is your regular rhythm to be maintained throughout the piece:[br]    =[br]    =[br]    -[br]    But there are two variations on this which you alternate between for the first two bars at the start of every other stanza --after the first four -- and for the last two bars of the alternate stanzas.[br]    = ...                                  = ...[br]    = ...                                  = ...[br]    - ...                                  - ...[br]